| Note:  The MKC-1 is undergoing a redesign and will be out of stock 
for 
the time being.  Please check back here for any updates.
 Introduction
The MKC-1 provides a means to add limited MIDI control to older 
synthesizers by interrupting the electrical path between the keyboard 
switch assembly and the synthesizer control board.  
MIDI note-on and note-off messages that are received will play corresponding 
notes on the synthesizer.
Keys pressed on the synthesizer keyboard will produce MIDI note-on and 
note-off MIDI output.
If the local control option is enabled, the synthesizer will also play notes normally.
If local control is turned off, the synth keyboard will only produce MIDI output, but will not play 
notes on the synthesizer.  Local control can be enabled or disabled  with a MIDI command, or by a 
jumper (or wired toggle switch) on the MKC-1 circuit board.
 A jumper option also can be used to enable or disable MIDI OMNI mode.  With OMNI mode on, the MKC-1 
will respond to note and control messages on all 16 MIDI channels.  When OMNI mode is off, the MKC-1 
will only respond to messages on the MIDI channel selected by the DIP switch.
 The MKC-1 is specifically designed to work 
with connectors and keyboard matrix layouts used by Oberheim synthesizers.   
It will work with the OB-SX, OB-X, OB-Xa and OB-8. The MKC-1 operates over 
a range of 64 MIDI notes starting with MIDI note 36 and is not velocity 
sensitive.
 For use with the Sequential Circuits Prophet 5 synthesizer, a special inverter board is used to 
produce the correct logic and wiring arrangement.
 Scroll down for ordering information
 
 
 Installation
Turn off the synthesizer power before starting the installation.
 
The MKC-1 has 16-pin IC sockets that are used to connect ribbon cables to 
the synthesizer.  The ribbon cables have a stripe along one edge that 
indicates the cable orientation.  The stripe should always go on the side 
of the socket with the notch in the end.
 
The sockets labeled, KEYBOARD IN and KEYBOARD OUT intercept 
the 
synthesizer keyboard signals.  The original synthesizer keyboard cable 
should be unplugged from the synthesizer main circuit board and plugged 
into the MKC-1 KEYBOARD IN socket.  A new ribbon cable (supplied 
with 
the MKC-1) connects from KEYBOARD OUT to the keyboard socket on the 
synthesizer main board.
 
Power for the MKC-1 is taken from any convenient 16-pin digital IC on the 
synthesizer board.  This usually turns out to be a 74C42 or 74LS42 located 
somewhere near the keyboard socket.  Remove this 74C42 IC and re-install 
it on the MKC-1 board in the socket labeled, J1.  Connect the 
second 
ribbon cable supplied with the MKC-1 from socket J2 to the now 
vacant 
socket on the synthesizer board.  Be sure to orient the IC and cables 
correctly.
 
Two MIDI jacks are supplied with the MKC-1 and can be mounted in any 
convenient location.  The MIDI jack cables connect to the MKC-1 with Molex 
connectors that are keyed for correct orientation.  The MIDI IN jack 
should connect to the MIDI IN Molex connector on the MKC-1.  The 
MIDI 
OUT jack can be connected either to the MIDI OUT connector, or the 
MIDI 
THRU connector if you don.t intend to use the synthesizer keyboard to 
produce MIDI out.
 
The MKC-1 board can be mounted in any convenient location using the 
standoffs supplied.  When using the stick-on nylon standoffs, be sure that 
the mounting surface is clean and dry before adhering them.
 
If everything is connected correctly, the LED on the MKC-1 should light up 
when the synthesizer is turned on, and the synthesizer keyboard should 
work normally.
 Operation
A four-position DIP switch on the MKC-1 board sets the MIDI channel for 
send and receive.  The following chart shows the switch settings for the 
available selections:
 
 
| SW4 | SW3 | SW2 | SW1 | MIDI Channel |  
| DOWN | DOWN | DOWN | UP | 1 |  
| DOWN | DOWN | UP | DOWN | 2 |  
| DOWN | DOWN | UP | UP | 3 |  
| DOWN | UP | DOWN | DOWN | 4 |  
| DOWN | UP | DOWN | UP | 5 |  
| DOWN | UP | UP | DOWN | 6 |  
| DOWN | UP | UP | UP | 7 |  
| UP | DOWN | DOWN | DOWN | 8 |  
| UP | DOWN | DOWN | UP | 9 |  
| UP | DOWN | UP | DOWN | 10 |  
| UP | DOWN | UP | UP | 11 |  
| UP | UP | DOWN | DOWN | 12 |  
| UP | UP | DOWN | UP | 13 |  
| UP | UP | UP | DOWN | 14 |  
| UP | UP | UP | UP | 15 |  
| DOWN | DOWN | DOWN | DOWN | 16 |  
The MKC-1 will normally receive data on all 16 MIDI channels (OMNI mode).
OMNI mode can be turned off with a MIDI control command, in which case the 
MIDI receive channel will be determined by the switch setting (above).
 
The MKC-1 supports the following standard MIDI commands.  All byte values 
are shown in hexadecimal, with .x. representing (MIDI channel . 1) and 
.XX. meaning .any value from 0 to 7F..
 
Local Control ON/OFF (received only)
	Bx 7A 00 = Set local control off
	Bx 7A 7F = Set local control on
OMNI mode ON/OFF (received only)
	Bx 7C 00 = Set omni mode on (receive on all MIDI channels)
	Bx 7D 00 = Set omni mode off (receive on channel set by switches)
All Notes Off (received only)
	Bx 7B XX = Turn off all notes
Note On/Note Off (transmitted and received)
	9x   = Note on
	8x   = Note off
(Note number range = 24 to 63.  Transmitted velocity = 40.)
Active Sensing
	FE = Active sensing (received only)
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